The documentarian Frederick Wiseman was upsetting officials with Titicut Follies, the movie The Boston Strangler was trying an unresolved case on screen, and a pre–Ram Dass Richard Alpert was turning on and tuning in with Timothy Leary. ![]() Silver? that was capturing everyone’s attention. There was also a cut-up collage program on local TV, What’s Happening, Mr. At the same time, MGM Records was trying to invent a genre called the Boston Sound, which garnered more press than listeners. ![]() Over here, we have Irish transplant Van Morrison, set to make his greatest album: a one-of-a-kind, stream-of-consciousness song cycle steeped in death and rebirth and “completely preoccupied with notions and transcendence and the sublime.” Over there, we have Mel Lyman, the writer and musician who established a worshipful cult following known as the Fort Hill Community. ![]() Looking back, writes musician and music critic Walsh, “is like catching a glimpse of an upside down, hallucinogenic version of the thriving metropolis that stands today.” In his first book, the author attempts to bring it all back home, to connect a tangle of loose wires and see what one thing might have had to do with the other. A chaotic cultural chronicle of a great city during a pivotal year.Ī lot was happening in Boston in 1968.
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